It's difficult to start posting again after having neglected it for a while, like calling up someone you once knew and haven't talked to for a while. Here we go:
Planes and Ferries: I have been to Brussels with Soffie Viemose and Victor to play at a swanky gallery for the Danish Institute. Everything went wrong the first day. Metro gulped us up in the middle of nowhere, refusing to take us to the airport in the snowstorm at 4.30 saturday morning. Got taxi after 20 minutes. Almost died of stress trying to catch the plane in time, was stuck onboard of plane for 5 (!!!) hours while someone (???) was determining whether we could fly or not cause to snow. We flew. Brussels greeted us with slightly more friendly weather but unfriendly taxi drivers who didn't wanted to bother taking us 15 minutes up the street with all our gear. The gig went well, I had made video of little blimps flying past foam clouds, all my porcelain figures out into the snow, and found that old piece of footage from the bar This Month Only in the Junction. Afterward we were euphoric and went hiking the streets, but ended up getting falafel and going back to sleep.




After having read Austerlitz by W.G. Sebald (Highly recommendable) i dwell into the structural trauma/melancholy of Europa and this book has definitely given rise to even more romantic ideas of the phenomenology of travel - especially the slow kind. This guy, Austerlitz, travels round Europa by train in search of his lost identity, while displacement and no sense of belonging slowly breaks him down - I will tell no more. Read It! I am trying to copy his style, writing about restless souls in love, on ferries stuck on the ocean, Oh well: David Lynch proclaimed he didn't have his first real original idea till he was 21! I guess I'm still kind of waiting.
Although (photographs)
I have just finished my very first interview of an exile/photography project, which is somewhat approaching the core of my curiosity for understanding memory. Patricia from Chile showed me her family photographs and we talked about landscapes, kids and new lives. She said many clever things and I got a glimpse into her existence and past, although I've only met her once before 5 years ago. I am thrilled about photography's ability to generate stories, to evoke emotions of belonging - even though it's the life of someone else. Verstehen: That is the empathetic insight into the Other, according to Max Weber. I am finally compelled and intrigued by this project, seing the threads of all my previous work on memory and identity gathering into a new direction - one of interacting with the memories of others.
Laptops and meatballs: My dad made amazing meatballs in curry tonight, and we had dinner in the kitchen. My dad travels to Shanghai tomorrow to tell the world's biggest chewing gum factory, Wrigley's, to save some more energy. I made him a red leather-bound travel book with my stories, my blimps, and a totally random photo I found from my grandma's boxes showing my grandpa in front of a giant Wrigley's commercial (probably from a business trip to London in the 50's). Such are the weird little coincidences... This is my dad's night table:
Here we go!
Kaerlig hilsen.